painting Artwork

February 26, 2025

February 26th, 2020. The snowfall to me is such a funny thing. Its tranquility is something I’ve grown to love. In adolescence, it became my medium for meditation. To escape the busyness of the world with the flutter of falling flakes. Yet, I’ve realized it’s what’s responsible for troubling my heart. I lost the love of my life only due to the icy weather. With the snow, only did that violent cluster of twisted automobile came into existence. Many years later, waiting for snowfall for my last moments became an obsession. I found a place to spectate that last snowfall, where water falls in the forest to carve stone. As I lean against an old maple’s trunk, I lay watching guard of a stone grotto temple at the base of the falling stream. This temple has no worshipers but only prayers from the whistling branches. There is a sacredness I find in this place’s beauty. A sacredness I myself no longer share. The lone guard of this temple has grown old and tired. Complacent with the agonies of life. The frozen flakes drift down to smother most sounds. Blanketing me with its comfort. The wind kisses my neck, running it’s chilling fingers down my spine. My dulled and greyed eyes grow heavy. From the little light left from the winter night sky, glistens the landscape to reveal a faint figure in the dark’s thickness. It’s my love greeting me to a long-awaited reunion. Reaching her hands out for mine, closer and closer as her figure enclosed in on my restful state. Until her spirit wraps around me. Her warm embrace only cools. First my skin, then the fibers of my being. Now finally the cold creeping into my slowing heart.

February 23, 2025

For 15 years, I built a career in software engineering. Working my way up the white-collar ladder. At the height of my career, working up to the Director or Executive level. At times, running my own businesses. My same-aged friends coined the nickname “Young Money” for me, which I was never big on being titled. Sooner or later, I believe all of us working in an office setting eventually reflect and ask ourselves, “What am I doing?” Questioning if what we’re doing is even meaningful. Maybe longing for the outdoors and venturing into the rest of the world beyond the concrete highrise walls in that corporate park. This painting is meant to exemplify that moment of reflection.

February 2, 2025

A few years ago I had accomplished a dream of mine and won my way with my beloved team to the United States Tennis Association National Championships. I had spent many years prior, captaining and building teams just to fall short of winning districts each year. Finally winning our season, sectionals, districts, state, and then winning the Midwest championship; we finally did it. This painting isn’t about the feeling of defeat on the court, as that’s always a chance to improve and grow. I didn’t lose in that aspect, because I was nearly undefeated that year and was almost a guaranteed win on doubles. This painting represents the agony, disappointment, disgust, and deceit, I felt when I learned I could not go to play alongside my friends in the championship in Scottsdale Arizona. I had let my team down and missed out on a once in a lifetime accomplishment.

January 24, 2025

Just Out Of Reach is a watercolor painting beautifully capturing the essence of a peaceful winter night. At its heart is a quaint log cabin, softly illuminated by a warm, golden light emanating from its windows, contrasting against the cool blues and whites of the snowy landscape. Towering evergreen trees, heavily dusted with snow, create a dense and textured forest backdrop, adding depth and a sense of quiet isolation to the scene. The faint tracks in the snow leading to the cabin hint at human presence, while the figure kneeling in the foreground adds a touch of mystery and humanity. The overall composition blends warmth and cold, light and shadow, evoking both the stillness of winter and the comfort of a welcoming home.

January 6, 2025

A faux Stargazer lily decorated the shelves at the bar where we met, and you noted its identity and your fixation; in the aspirations of our conversations. When you brought me home, Easter lilies were decorated throughout your bedroom, complimenting the white orchid that was center stage of the contemporary decor. In one of my first attempts of affection for you, I transplanted Tawny Daylilies from the wilds of the valley where I grew up into the suburban yard that welcomed you each weekend. In front of one of Monet’s works of water lilies, we first exchanged the words “I love you” with one another. You wanted Royal Lilies to partner the echos of violins at our future wedding. There was a twinkle in your eye discussing your desire to visit a vast field of Avalanche Lilies in the mountains. It was Madonna Lilies I placed on the mound of your grave. The repeated significance of the flowers is why they were symbolically hosted in my home in troves for so long, and why a single white one was left to the lost soul that ignited my ambition to face my loss; in a sign of both of our gratitude and valedictions. I’ve hiked and traveled the world for you; to honor both of us. Nothing has tugged more at my heartstrings than as much as this mountainous view. So… Will you sit with me, with this spectacular sun setting view? One last time. I painted these flowers for you, my dear.

December 20, 2024

February 26th, 2020. “You’ve grown tired, have’t you dear?”, she reassured. “It was too difficult. I’m so sorry. I failed you”, was my excuse. My stature felt different, like the weighing years had melted off and I was almost floating. She snuck in closer and whispered in my ear with her arms wrapped around me, “I understand. It’s alright now. It’s time to rest.” “Just five more minutes? You know how much I missed this”, I pleaded like an innocent child. “I suppose. Maybe you’ll see me when you awake, but it’s a surprise”, as she somehow wrapped herself around me even more. It was just like her to say something alluring like that. A cold winter wind blew against my neck and creeped throughout the rest of my body, but it felt as though a warmth was melting me asleep. My eyes grew heavy as my head dropped on to her soft shoulder. It was becoming too difficult to fight to stay awake, but I was already asleep. I expelled my last bit of energy to muster up one last, “I really missed you.” Finally closing my eyelids and letting go, drifting off. Was this really her loving hug again, after all these years? Or was this just me, making the rounds in my head, to embrace death?

November 28, 2024

This watercolor painting depicts a bold and festive red Christmas stocking adorned with the name “Ben” in dark, block letters at its center. The stocking’s textured surface showcases rich, layered shades of red, giving it a realistic and slightly worn appearance, while its white, fluffy cuff contrasts beautifully with a subtle mix of cream tones, evoking a cozy, wintry feel. The dark, almost black background creates a dramatic contrast, making the stocking the focal point and giving the composition a sense of warmth and nostalgia.

November 21, 2024

I knew an old wise woman once. She told me to make my way back to Strasbourg, so I did. From her pine framed window, she bid farewell, “Okay now. I’ll be seeing you.” With her gaze and expression of both endearment and concern, but excitement for me. Looking on in to the day’s sun. This painting perfectly captures those feelings and experiences with my dear old friend.

November 11, 2024

One Last Walk With Izzy is a exquisite watercolor painting depicting a peaceful countryside scene, where a man walks alongside his faithful Border Collie dog companion across gently rolling hills bathed in golden sunlight. The vibrant hues of green and yellow fields blend harmoniously with the rich textures of the trees, creating a sense of depth and tranquility. A cozy house sits nestled on the distant hill, framed by soft clouds drifting through a serene sky. This artwork beautifully captures the simplicity and charm of rural life, making it a perfect piece for adding warmth and a touch of nature to any space.

October 29, 2024

Fruitcake Delivery is just in time for the upcoming holidays, this quaint winter scene showcases a Fruitcake delivery truck and it’s driver preparing to drop off it’s abundant order of 30 fruitcakes to the anxiously awaiting recipient in the blue snow covered house. A wasteful purchase that would later go on to be donated to the local food bank, with an absurd and humorous smile. The package handler’s confident movements inferring that him and homeowner inside are intertwined in scandalous love affair. The glow of light from the windows adds to the charm of the painting. The neighbor’s house seems set in but yet still glowing with life. As is with the main focus of the blue house with white trim, with it’s windows inviting a sense of warmness away from the cold wind. The calmness of the winter night should be heard in mind. It’s left up to the viewer to form their own opinions of what the delivery figure may be thinking or what will transpire when the door bell rings.

October 26, 2024

Blue Bells features a single, gracefully arched bellflower stem, delicately balanced against a soft, neutral background. Each bell-shaped bloom hangs naturally from the stem, painted in a rich, muted purple that exudes quiet elegance. The artist has used soft strokes and subtle shading to create a realistic, almost three-dimensional effect, emphasizing the organic curve and texture of the flower.

The simplicity of the composition and restrained color palette give the piece a meditative quality, inviting viewers to pause and appreciate the gentle beauty found in nature’s details.

October 17, 2024

Linda Lounging is a quick study of my friend (name has been changed for privacy), lounging on the couch. It was done at her request, jokingly said by her, “paint me like one of you french girls”. Although, my name isn’t Jack nor do I plan on getting on any boat any time soon. Especially since the cold Ohio winter is already starting. I also used this piece to be my first practice using the ZORN pallette.

October 12, 2024

Standoff portrays a poignant scene of two dark, silhouetted figures standing at a distance from each other in a sprawling, golden field of tall grass. The figure on the left is a woman, her form graceful but motionless, while the man on the right stands rigidly, facing away. The muted, overcast sky adds a somber tone to the setting, as the distant hills fade into the horizon. The vastness of the landscape, combined with the physical separation between the figures, evokes a powerful sense of emotional distance and quiet tension, as if they are connected yet worlds apart. The earthy colors and subtle textures enhance the painting’s contemplative, melancholic atmosphere.

September 29, 2024

Tawny Lily is a quick and easy graphite pencil sketch painted in with watercolor. This simple small artwork is a nice little decoration to hang in your room. The Tiger Lily or Tawny Lily, is my favorite flower. Even though I normally decorate my home with either orchids or white lilies, the orange flower is one that grew wild in the valley I grew up in along the ponds and creek sides.

September 21, 2024

Todd’s Sunflowers is a quick and easy graphite pencil sketch painted in with watercolor. This simple small artwork is a nice little decoration to hang in your room. Sunflowers being the favorite flower of one of my favorite painters, Van Gogh, and the added bonus of being a vibrant yellow to attract a summer time feel. My reference was my cousin’s yard, so these are Todd’s Sunflowers.

September 20, 2024

Pink Orchid is a quick and easy graphite pencil sketch painted in with watercolor. This simple small artwork is a nice little decoration to hang in your room. Orchids being one of my favorite flowers, usually white though, I decided to go with a pink one instead to avoid having to paint a background.

September 10, 2024

Howard’s Hills is a watercolor painting that was done after so many people have noted my favorite watercolor paintings reminded them of the great Andrew Wyeth’s work. So I took the time to study a lot of technique and incorporated it heavily in to this narrative and architectural landscape painting I created. Especially a lot of his dry brushing technique and using lots of layers/details until the form in perfect to how I want it to flow. Diverting slightly where I feel more natural to my own organic techniques.

August 29, 2024

Hallelujah captures a profound and intimate moment between two figures, a woman and a man, bathed in muted, melancholic tones. The woman, with a look of quiet concentration, gently holds the man’s head as she carefully cuts his hair. The tenderness in her touch contrasts with the rough, darkened surroundings, suggesting a setting filled with history and emotional weight. The man, seated with his back to the viewer, seems resigned, his body language conveying a sense of vulnerability. Likely his pose shows signs of trauma. His unruly hair and the scattered clippings on his shoulders evoke a passage of time and perhaps a long period of neglect or hardship.

August 24, 2024

This watercolor painting captures the delicate beauty of a blue butterfly perched on a cluster of green and yellow leaves. The butterfly’s wings are depicted in vivid shades of blue, with intricate black and white patterns along the edges, adding depth and contrast to the piece. The artist skillfully uses the dark, textured background to make the butterfly’s bright colors pop, creating a striking visual effect. The leaves beneath the butterfly are painted with a mix of green and yellow tones, which add a natural, organic feel to the composition. Overall, the painting evokes a sense of tranquility and appreciation for the subtle details found in nature.

August 18, 2024

This watercolor painting captures a striking and serene scene of a solitary rock formation rising from the shallow waters. The rock, dark and textured, is crowned by a small group of slender trees, their delicate branches reaching skyward. The surrounding water is a soft, muted green, gently reflecting the rock’s rugged base. The sky above is overcast, with layers of pale gray clouds stretching across the horizon, adding a contemplative mood to the piece. The overall composition evokes a sense of isolation and resilience, as the rock and trees stand alone, enduring the passage of time in a tranquil, almost ethereal landscape.

August 14, 2024

This evocative watercolor painting features a single red rose, captured in a moment of quiet beauty as it stands against a dark, rain-soaked background. The petals, rendered with delicate brushstrokes, are adorned with glistening raindrops that reflect light, adding a touch of realism and tenderness to the scene. The contrast between the vibrant red of the rose and the deep, almost black, background highlights the flower’s resilience and elegance, making it a powerful symbol of love and endurance. The soft, muted colors of the stem and leaves further enhance the focus on the rose, making this painting a striking piece that conveys emotion and depth.

July 3, 2024

Tiny Football was another quick artwork done on a tiny canvas. A tribute to one of Canton’s large driving parts of their economy, American Football. Since our city hosts the Pro Football Hall of Fame, which is the biggest reason for tourism and festivals in our tiny city, I figured it was a good idea to have this sitting out on my studio space as a pick-me-up. Sports!

June 26, 2024

This painting has everything you need. Cute cats, funny hats, and a dark sense of morbid humor. It features my long haired domestic black and white cat, Princess. Stuck in a scene of her by my side as I paint. Adorning my Faber-Castell Collapsable Water Cup on her head. Her favorite Penn tennis ball resting not far away. Peering on to the cold press cotton paper watercolor block, that is painted with my late dog, Izzy, along with family. I know deep down Princess shares in my miss of Izzy. The stick figures childishly painted on the exposed cotton paper, integrated in a method of inception in to the painting. Adding to the silliness and partly dry humor.

June 20, 2024

Addict’s Contemplation is both expressive and metaphoric in it’s design. It’s a variety of color splashes introduced in the world of light across the lake’s surface of water. A woman stranger sits on a weathered wooden dock, peering in to thought. A foreign intrusion sits right-of-center, still in what is seemingly like the calm parts of the water; an island pier. The waves turn in a moment of calmness and introspection, surrounding the subject in intrusive thought. The summer sun’s light dances through the sky and across the the refraction of rippling waves among the lake’s surface. Nestled hills roll in the attached land’s horizon, muted by the bipolar clouds mood. The melancholic mood set by the this vibrant world, give a sense of tranquility and reflection. The curiosity of what the girl may be thinking, is left to burden the viewer with their own ideas. The subtle details and gentle colors create a peaceful, almost dreamlike quality, inviting the viewer to pause and share in this moment of solitude and serenity.

June 16, 2024

This exquisite watercolor painting captures the tranquil beauty of a pond scene, in Lily Pad. Dominated by lush, green lily pads that float serenely on the water’s surface, the composition is centered around a single, vibrant pink water lily in full bloom. The delicate petals of the lily showcase a gradient of pink hues, leading to a bright yellow core, contrasting beautifully with the dark, reflective water below. The intricate details of the lily pads, including the subtle veins and slight imperfections, add a touch of realism to the scene. I have used a combination of light and shadow to create depth, making the lily and its surrounding pads appear almost three-dimensional. This painting evokes a sense of peace and natural harmony.

June 7, 2024

This watercolor painting, Sailing Away Schoon, depicts a solitary schooner boat navigating through misty waters. The scene is serene and atmospheric, with soft, muted colors creating a sense of calm and tranquility. The sailboat, with its sails billowing gently, is positioned towards the right side of the painting, moving forward through the slightly choppy, dark blue waves. The background features indistinct, hazy mountains that blend seamlessly with the overcast sky, enhancing the overall misty ambiance. The use of watercolor techniques adds a fluid and ethereal quality to the painting, capturing the essence of a quiet journey through a tranquil seascape.

June 6, 2024

This watercolor painting, titled “Silent Reflections,” captures a serene and contemplative scene of two individuals in a small boat on a vast, calm body of water. The palette consists primarily of muted blues and grays, creating a tranquil and misty atmosphere. Light touches of yellow kiss the finer details to show the dancing of light. The reflections on the water’s surface are subtly rendered, blending seamlessly with the surrounding landscape. In the background, the faint outlines of forested hills fade into the horizon, shrouded in a gentle haze. This watercolor painting is a peaceful and introspective work of art.

May 30, 2024

Creepy Clown was a quick artwork done on a tiny canvas, that I did for some stranger, who had an appreciation for creepy clowns and serial killers. Red flags much? While I don’t share those interests, I did my best to try to convey that sense allure on this 4x4in square, making quick work of it. The design was heavily inspired by the first IT Movie’s antagonist clown character. The yellow tinted smiling teeth were captured well, wrapping around the edge of the canvas.

May 26, 2024

Pomona’s Bowl is my practiced attempt to finalize my technique, using abstract vibrant brushwork, to create my own desired style in the realism oil painting realm. With every still life, I use it methodically to refine how I want to improve or change my artwork. This still life opulence in a bowl to me is the overwhelming first step to finally realize my artistic painting style that I want to utilize in the direction of how I want my landscape and narrative pieces to convey from here on out. It is an accomplishment in my own eyes, and what I consider the turning stone to take my work to the next level. Featuring a pomegranate fruit resting in a reflective metal bowl. Split open with it’s glossy seeds spilling out. The red velvet table cloth drapes the cold black table, sitting along in the light of the room. The vibrancy of the hues of red, violet, blue, yellows, purple, pink, and peach; blend together to construct this oil painting that seems reminiscent of scene from the old masters. Looking closely, you can see each section of abstract artwork, slathered on by the soft bristles of my brush to construct something beautifully grand as you step back to take it all in at once.

April 26, 2024

The Massillon 52 is a vibrant watercolor painting, showcasing two Massillon Football players. Both in a moment of intense celebration. On the left, player 52 is rendered with a fierce expression. To the right, an unknown teammate engages in clapping, hands blurred to add to the effect. Behind them, the stadium is alive with spectators in the stands, out of focus. Backset all to autumn trees and vibrant green turf. I managed to infuse the scene with movement and excitement, creating a palpable sense of the game’s high stakes and the players’ raw emotion.

April 12, 2024

The Massillon Helmet is an oil painting depicting a solitary, black Massillon Tiger’s American football helmet in a three-quarter view, featuring a bold orange Massillon Ohio letter ‘M’ logo, symbolizing the Washington Highschool team’s identity and spirit. I have rendered the subject with a strong attention to detail, from the subtle reflections and shadows on the helmet’s glossy surface to the intricate structure of the face mask and the secure clasps. The background is a neutral, mixing with the multiple light source hues, with gradient shades that throws the focus entirely on the helmet, evoking a sense of nostalgia and Tiger pride, typical of any sports memorabilia. T-I-G!

March 23, 2024

Gehen Heim is a watercolor painting that depicts a somber, expansive landscape under a heavy, overcast sky. The sky is a tapestry of grays and muted blues, seemingly thick with the weight of a passing snow storm. The horizon is a dark, solid band, suggesting a distant forest or line of trees that separates the sky from the land. Below, there’s a vast expanse of a body of frozen water, its surface rendered in pale whites and light grays that capture the reflective quality of the ice. A solitary figure stands in the lower third of the composition, adding a poignant note of isolation or introspection to the scene. The figure’s presence is dwarfed by the enormity of the surroundings, emphasizing the scale and of the emotional theme of man versus nature or solitude. To the right, there appears to be a long, narrow structure, a pier or boardwalk, leading off into the distance, its purpose and destination left ambiguous. The use of watercolor is masterful, with the fluidity of the medium perfectly suited to convey the atmosphere and mood of the scene. The textures are soft and the edges blurred, contributing to the overall ethereal and introspective quality of the painting.

March 21, 2024

Lemon Tree is an impressionistic acrylic painting capturing the cheerful essence of a citrus grove in an expressive style, with two plump, sunny lemons taking center stage against a crisp white background. The lemons are painted with bold, confident, impasto strokes, the yellows ranging from pale to deep golden hues, suggesting the play of light across their dimpled surfaces. Dark green leaves, painted with a sense of movement, flank the fruit, adding depth and contrast to the composition. Above the lemons, two white flowers with red centers bloom, providing a pop of color and completing the scene. The texture of the canvas is visible through the paint, giving the work a lively, tactile quality. With the bold brushstrokes giving texture. This piece exudes a simple, rustic charm and celebrates the beauty found in nature’s forms and colors. Giving a summery feel.

March 17, 2024

The Cherry Popping painting depicts two cherries with a realistic appearance. The cherries are rich red with subtle hints of darker tones suggesting volume and curvature. A light source is shining from the upper left, casting a soft shadow to the lower right of the cherries and giving a glossy highlight on their surfaces. The cherries are attached to each other by a green stem, which is connected to only one of the cherries at the top right corner of the painting. The background is plain and light-colored, putting the full focus on the vibrancy and detail of the cherries. The technique used provides a sense of texture that one can almost feel, and the attention to detail in the reflections and shadows is a careful study of light on the fruit’s surface.

March 13, 2024

In the midst of a serene, snow-covered landscape, a solitary figure captures our attention in this evocative painting, titled Back To. Striding the lone figure once again, across the snow covered Ohio and Erie Canal Towpath Trail.

February 27, 2024

The Fissure abstract watercolor painting presents a compelling visual metaphor for a broad crack, rendered in a monochromatic palette that evokes the natural variance of earth and stone. The central darkened swath divides the canvas, reminiscent of a chasm or fault line, with its mirror image below suggesting a reflection in water or a shadowy echo in the depths. The textural gradation and the fluidity of the medium’s application enhance the sense of organic formation and erosion. Despite the simplicity of its color scheme, the painting is rich in texture and depth, conveying a powerful sense of both fragility and enduring natural forces at play. The artwork engages the viewer in an exploration of symmetry and asymmetry, surface and depth, solidity and void, evoking the unpredictable beauty of natural fissures.

February 18, 2024

This evocative painting captures a unique and striking rock formation located along the shores of Lake Erie, near Cleveland, Ohio, portraying a natural monument that stands as a silent guardian amidst the lapping waves. The overcast sky suggests a typical Great Lakes ambiance, while the resilient trees on the rock’s summit are a testament to nature’s adaptability in the face of the elements. The artwork invites contemplation on the enduring beauty of Lake Erie’s coastal landscape, subtly colored by the artist to reflect the area’s serene yet dynamic character.

February 10, 2024

This Young Farmhouse painting portrays a rustic, rural scene. Dominating the left foreground is a large, dark brown walnut tree, its detailed bark texture suggesting an old and sturdy presence. From one of its branches, a swing with a wooden seat dangles, its ropes hanging limply, waiting for a visitor and adding balance to the painting. Further back, the scene opens to a golden field, which could be a harvested crop, bordered by a dense tree line that marks the edge of a forest. The trees are evergreens, standing tall and dark green against the horizon.

February 9, 2024

Escape is a painting that depicts a tranquil winter scene, including a solitary figure is shown walking away from the viewer, journeying along a curved path that has been carved through the snow from what may have been a vehicle. With overcast skies, soft grays and cobalts that blend seamlessly with the snowy ground, tire tracks that are visible in the snow, all reinforcing the sense that the figure has journeyed alone. The overall mood of this watercolor painting is one of solitude and silence, evoking a sense of introspection or the quiet beauty of nature in winter.

February 6, 2024

The Citrus Study painting features a still life composition with three objects that appear on a table. On the left is a green lime, partially blending from green to a yellowish hue, indicating ripeness or a variation in color typical of certain lime varieties. In the middle, there’s a red mug or cup with a visible handle on the right, suggesting it’s meant for a right-handed person to pick up easily. The mug’s rim is white, indicating the inside color and the reflection of light. On the right, there’s a lemon with a bright yellow color, indicative of its ripeness and tartness. The background and surface are in muted dark tones, with the surface reflecting a bit of light, giving a sense of a shadowed room. The painting style is textured, with visible brushstrokes marks, which give it a tactile quality. The color palette is quite naturalistic, with a strong contrast between the brightly colored objects and the dark background, drawing attention to the subjects of the still life.

January 19, 2024

Fry’s Tree portrays a solitary, robust tree standing prominently in the center against a twilight or pre-dawn sky. Set in the Fry Family Park, of East Sparta Ohio. The leaves and branches creates a lace-like pattern against the sky, which shifts from a dark blue at the top to lighter hues near the horizon, indicating dusk or the approach of nightfall. There’s a sense of tranquility and solitude in this scene, as the tree stands alone in the quiet moments of transition between day and night.

January 18, 2024

This Dyzee painting is an abstract composition dominated by fluid, dynamic strokes and splashes of paint. The color palette is primarily monochromatic, featuring different shades of blue and black, with a significant contrast provided by a central burst of olive or moss green. The expressive lines and shapes seem to swirl around this central point of color, creating a sense of movement that draws the eye inward. The splatters and spots of paint across the canvas add to the feeling of spontaneity and action, suggesting the artist worked quickly and with a degree of improvisation.

January 17, 2024

Monochromatic Maelstorm is an abstract painting. The color palette is primarily monochromatic, featuring different shades of black, gray, and white, with some areas where a deep, navy-like blue is present. The composition is dynamic, with fluid shapes and splatters distributed across the canvas. The use of black and blue creates a sense of depth and contrast against the lighter areas. There are also spots where the paint seems to have been allowed to drip or splatter freely, giving the piece a spontaneous and expressive feel.