figures facing from view Artwork

October 12, 2024

Standoff portrays a poignant scene of two dark, silhouetted figures standing at a distance from each other in a sprawling, golden field of tall grass. The figure on the left is a woman, her form graceful but motionless, while the man on the right stands rigidly, facing away. The muted, overcast sky adds a somber tone to the setting, as the distant hills fade into the horizon. The vastness of the landscape, combined with the physical separation between the figures, evokes a powerful sense of emotional distance and quiet tension, as if they are connected yet worlds apart. The earthy colors and subtle textures enhance the painting’s contemplative, melancholic atmosphere.

September 10, 2024

Howard’s Hills is a watercolor painting that was done after so many people have noted my favorite watercolor paintings reminded them of the great Andrew Wyeth’s work. So I took the time to study a lot of technique and incorporated it heavily in to this narrative and architectural landscape painting I created. Especially a lot of his dry brushing technique and using lots of layers/details until the form in perfect to how I want it to flow. Diverting slightly where I feel more natural to my own organic techniques. I came up with an Appalachia landscape, very similar to the rolling hills I grew up in. The style heavily influenced by Wyatt’s style, such as in his Christina’s World painting. The house is inspired by a lot of the old farmhouses that were still standing during my childhood but in need of repairs. The man is based off my elderly father, hiking his way across our family farm land. I have found my watercolor style!

August 29, 2024

Hallelujah captures a profound and intimate moment between two figures, a woman and a man, bathed in muted, melancholic tones. The woman, with a look of quiet concentration, gently holds the man’s head as she carefully cuts his hair. The tenderness in her touch contrasts with the rough, darkened surroundings, suggesting a setting filled with history and emotional weight. The man, seated with his back to the viewer, seems resigned, his body language conveying a sense of vulnerability. Likely his pose shows signs of trauma. His unruly hair and the scattered clippings on his shoulders evoke a passage of time and perhaps a long period of neglect or hardship.

June 20, 2024

Addict’s Contemplation is both expressive and metaphoric in it’s design. It’s a variety of color splashes introduced in the world of light across the lake’s surface of water. A woman stranger sits on a weathered wooden dock, peering in to thought. A foreign intrusion sits right-of-center, still in what is seemingly like the calm parts of the water; an island pier. The waves turn in a moment of calmness and introspection, surrounding the subject in intrusive thought. The summer sun’s light dances through the sky and across the the refraction of rippling waves among the lake’s surface. Nestled hills roll in the attached land’s horizon, muted by the bipolar clouds mood. The melancholic mood set by the this vibrant world, give a sense of tranquility and reflection. The curiosity of what the girl may be thinking, is left to burden the viewer with their own ideas. The subtle details and gentle colors create a peaceful, almost dreamlike quality, inviting the viewer to pause and share in this moment of solitude and serenity.

March 23, 2024

Gehen Heim is a watercolor painting that depicts a somber, expansive landscape under a heavy, overcast sky. The sky is a tapestry of grays and muted blues, seemingly thick with the weight of a passing snow storm. The horizon is a dark, solid band, suggesting a distant forest or line of trees that separates the sky from the land. Below, there’s a vast expanse of a body of frozen water, its surface rendered in pale whites and light grays that capture the reflective quality of the ice. A solitary figure stands in the lower third of the composition, adding a poignant note of isolation or introspection to the scene. The figure’s presence is dwarfed by the enormity of the surroundings, emphasizing the scale and of the emotional theme of man versus nature or solitude. To the right, there appears to be a long, narrow structure, a pier or boardwalk, leading off into the distance, its purpose and destination left ambiguous. The use of watercolor is masterful, with the fluidity of the medium perfectly suited to convey the atmosphere and mood of the scene. The textures are soft and the edges blurred, contributing to the overall ethereal and introspective quality of the painting.

March 13, 2024

In the midst of a serene, snow-covered landscape, a solitary figure captures our attention in this evocative painting, titled Back To. Striding the lone figure once again, across the snow covered Ohio and Erie Canal Towpath Trail.

February 9, 2024

Escape is a painting that depicts a tranquil winter scene, including a solitary figure is shown walking away from the viewer, journeying along a curved path that has been carved through the snow from what may have been a vehicle. With overcast skies, soft grays and cobalts that blend seamlessly with the snowy ground, tire tracks that are visible in the snow, all reinforcing the sense that the figure has journeyed alone. The overall mood of this watercolor painting is one of solitude and silence, evoking a sense of introspection or the quiet beauty of nature in winter.