brown Artwork

December 20, 2024

February 26th, 2020. “You’ve grown tired, have’t you dear?”, she reassured. “It was too difficult. I’m so sorry. I failed you”, was my excuse. My stature felt different, like the weighing years had melted off and I was almost floating. She snuck in closer and whispered in my ear with her arms wrapped around me, “I understand. It’s alright now. It’s time to rest.” “Just five more minutes? You know how much I missed this”, I pleaded like an innocent child. “I suppose. Maybe you’ll see me when you awake, but it’s a surprise”, as she somehow wrapped herself around me even more. It was just like her to say something alluring like that. A cold winter wind blew against my neck and creeped throughout the rest of my body, but it felt as though a warmth was melting me asleep. My eyes grew heavy as my head dropped on to her soft shoulder. It was becoming too difficult to fight to stay awake, but I was already asleep. I expelled my last bit of energy to muster up one last, “I really missed you.” Finally closing my eyelids and letting go, drifting off. Was this really her loving hug again, after all these years? Or was this just me, making the rounds in my head, to embrace death?

November 21, 2024

I knew an old wise woman once. She told me to make my way back to Strasbourg, so I did. From her pine framed window, she bid farewell, “Okay now. I’ll be seeing you.” With her gaze and expression of both endearment and concern, but excitement for me. Looking on in to the day’s sun. This painting perfectly captures those feelings and experiences with my dear old friend.

October 12, 2024

Standoff portrays a poignant scene of two dark, silhouetted figures standing at a distance from each other in a sprawling, golden field of tall grass. The figure on the left is a woman, her form graceful but motionless, while the man on the right stands rigidly, facing away. The muted, overcast sky adds a somber tone to the setting, as the distant hills fade into the horizon. The vastness of the landscape, combined with the physical separation between the figures, evokes a powerful sense of emotional distance and quiet tension, as if they are connected yet worlds apart. The earthy colors and subtle textures enhance the painting’s contemplative, melancholic atmosphere.

September 21, 2024

Todd’s Sunflowers is a quick and easy graphite pencil sketch painted in with watercolor. This simple small artwork is a nice little decoration to hang in your room. Sunflowers being the favorite flower of one of my favorite painters, Van Gogh, and the added bonus of being a vibrant yellow to attract a summer time feel. My reference was my cousin’s yard, so these are Todd’s Sunflowers.

September 10, 2024

Howard’s Hills is a watercolor painting that was done after so many people have noted my favorite watercolor paintings reminded them of the great Andrew Wyeth’s work. So I took the time to study a lot of technique and incorporated it heavily in to this narrative and architectural landscape painting I created. Especially a lot of his dry brushing technique and using lots of layers/details until the form in perfect to how I want it to flow. Diverting slightly where I feel more natural to my own organic techniques.

August 29, 2024

Hallelujah captures a profound and intimate moment between two figures, a woman and a man, bathed in muted, melancholic tones. The woman, with a look of quiet concentration, gently holds the man’s head as she carefully cuts his hair. The tenderness in her touch contrasts with the rough, darkened surroundings, suggesting a setting filled with history and emotional weight. The man, seated with his back to the viewer, seems resigned, his body language conveying a sense of vulnerability. Likely his pose shows signs of trauma. His unruly hair and the scattered clippings on his shoulders evoke a passage of time and perhaps a long period of neglect or hardship.

August 24, 2024

This watercolor painting captures the delicate beauty of a blue butterfly perched on a cluster of green and yellow leaves. The butterfly’s wings are depicted in vivid shades of blue, with intricate black and white patterns along the edges, adding depth and contrast to the piece. The artist skillfully uses the dark, textured background to make the butterfly’s bright colors pop, creating a striking visual effect. The leaves beneath the butterfly are painted with a mix of green and yellow tones, which add a natural, organic feel to the composition. Overall, the painting evokes a sense of tranquility and appreciation for the subtle details found in nature.

July 3, 2024

Tiny Football was another quick artwork done on a tiny canvas. A tribute to one of Canton’s large driving parts of their economy, American Football. Since our city hosts the Pro Football Hall of Fame, which is the biggest reason for tourism and festivals in our tiny city, I figured it was a good idea to have this sitting out on my studio space as a pick-me-up. Sports!

June 16, 2024

This exquisite watercolor painting captures the tranquil beauty of a pond scene, in Lily Pad. Dominated by lush, green lily pads that float serenely on the water’s surface, the composition is centered around a single, vibrant pink water lily in full bloom. The delicate petals of the lily showcase a gradient of pink hues, leading to a bright yellow core, contrasting beautifully with the dark, reflective water below. The intricate details of the lily pads, including the subtle veins and slight imperfections, add a touch of realism to the scene. I have used a combination of light and shadow to create depth, making the lily and its surrounding pads appear almost three-dimensional. This painting evokes a sense of peace and natural harmony.

May 14, 2024

Blue Jay depicts a blue jay perched on a snowy surface, delicately pecking at a cluster of red berries on a nearby branch. The bird’s vivid blue plumage, accented with black and white markings, contrasts beautifully with the soft, white snow. I captured the texture of the bird’s feathers and the intricate details of the berries and branches. The overall scene exudes a serene winter atmosphere, with the red berries adding a touch of color and life to the otherwise muted background.

February 27, 2024

The Fissure abstract watercolor painting presents a compelling visual metaphor for a broad crack, rendered in a monochromatic palette that evokes the natural variance of earth and stone. The central darkened swath divides the canvas, reminiscent of a chasm or fault line, with its mirror image below suggesting a reflection in water or a shadowy echo in the depths. The textural gradation and the fluidity of the medium’s application enhance the sense of organic formation and erosion. Despite the simplicity of its color scheme, the painting is rich in texture and depth, conveying a powerful sense of both fragility and enduring natural forces at play. The artwork engages the viewer in an exploration of symmetry and asymmetry, surface and depth, solidity and void, evoking the unpredictable beauty of natural fissures.

February 10, 2024

This Young Farmhouse painting portrays a rustic, rural scene. Dominating the left foreground is a large, dark brown walnut tree, its detailed bark texture suggesting an old and sturdy presence. From one of its branches, a swing with a wooden seat dangles, its ropes hanging limply, waiting for a visitor and adding balance to the painting. Further back, the scene opens to a golden field, which could be a harvested crop, bordered by a dense tree line that marks the edge of a forest. The trees are evergreens, standing tall and dark green against the horizon.

January 20, 2024

The painting titled “Ms. Cezanne” features a woman reclined in a state of repose, stretching her arms above her head. Inspired by Paul Cezanne’s work. Rendered with loose, expressive pastel stroke, suggestive of an interest in capturing movement and form rather than strict realism. The color palette is rich and warm. With earthy tones of brown and ochre for the background and vibrant yellow and green highlighting what appears to be a natural setting. The woman’s skin is painted in naturalistic tones, with highlights and shadows adding to the three-dimensional effect. Using bold outlines in places to define the figure’s form. With an impressionistic feel, focusing on light and color to convey a mood rather than detailed precision. This painting exudes a sense of relaxation and connection with nature.

December 15, 2023

Empty Models is a still life painting featuring a collection of objects arranged on a surface. The composition includes two bottles, one with a dark red cap and the other in green, along with a green jug and a brown bowl. The bottles and jug have a reflective quality suggested by the use of light and dark tones, indicating the presence of light from a specific angle. In it, I employed a textural technique to give the objects a tactile feel. The background and surface on which the items rest are rendered with broad strokes of brown and white, creating a rustic ambiance that complements the simple, everyday nature of the subjects. The color palette is predominantly earthy, with variations of green, brown, and yellow hues, giving the painting a warm and cozy atmosphere. The artwork captures the simple beauty of the objects and the play of light and shadow on their surfaces, including the light cast through their glass.