
In The Dark
February 27, 2020
Years ago, I attempted to take my own life. As the darkness began to close in from a suicidal overdose, I dreamed of AJ, my late fiancée. In that dream, she found me. She pulled me into her arms with a tenderness that felt real enough to dissolve every ounce of pain I had been carrying. It was not a goodbye. It was an understanding. From the six long years of suffering I had put myself through, missing her.
This painting is directly connected to my watercolor Dying in a Snowfall, a piece that explores that same moment of slipping away — only here, the focus is not on the cold surrender of death, but on the warmth and bittersweet peace of her embrace.
Before I ever picked up a brush, I wrote a short story about that dream. Years later, when I painted Final Embrace, I realized the story had been waiting for this canvas all along:
“You’ve grown tired, have’t you dear?”, she reassured. “It was too difficult. I’m so sorry. I failed you”, was my excuse. My stature felt different, like the weighing years had melted off and I was almost floating. She snuck in closer and whispered in my ear with her arms wrapped around me, “I understand. It’s alright now. It’s time to rest.” “Just five more minutes? You know how much I missed this”, I pleaded like an innocent child. “I suppose. Maybe you’ll see me when you awake, but it’s a surprise”, as she somehow wrapped herself around me even more. It was just like her to say something alluring like that. A cold winter wind blew against my neck and creeped throughout the rest of my body, but it felt as though a warmth was melting me asleep. My eyes grew heavy as my head dropped on to her soft shoulder. It was becoming too difficult to fight to stay awake, but I was already asleep. I expelled my last bit of energy to muster up one last, “I really missed you.” Finally closing my eyelids and letting go, drifting off. Was this really her loving hug again, after all these years? Or was this just me, making the rounds in my head, to embrace death?
The attempt was a mistake I would regret, but that moment would change something in me entirely. From that moment, I made a promise. Instead of living in misery from the loss of AJ, like the six years before that moment, I would try to live the next 60 years to honor her and make her proud.
Ben Young is a contemporary fine artist originally from Appalachia, Ohio. Originally a Software Engineer, he began painting in watercolor and oil less than two years ago, and his work has quickly gained attention for its emotional depth and storytelling. Each piece is a personal narrative, rooted in lived experience and expressed through a sensitive, evocative style. Each piece touches on themes of loss, love, family, and resilience, often drawing from his own life, including the tragic loss of his fiancée and journey it took to overcome those emotional burdens. His paintings resonate with collectors drawn to authenticity, vulnerability, and a fresh, emerging voice in American art.
Final Embrace is available for acquisition as the original oil painting or as a high-quality limited reproduction. Collectors may choose between owning the one-of-a-kind original or a museum-grade print that preserves the emotional depth and detail of the work. Both options offer a meaningful way to bring this powerful and personal piece into your collection.
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Notice: Due to rising production costs and increasing demand, prices will be increasing on all limited reproductions starting October 1st, 2025.
Reproductions are printed on premium archival fine art paper using only the finest archival-grade inks, these works meet the strict standards of giclée printmaking—ensuring exceptional detail, color accuracy, and fade resistance. Designed to preserve the integrity of the original artwork, each reproduction is a museum-quality piece intended to be cherished for generations.
I take the quality of my artwork—both original pieces and limited reproductions—very seriously. Every piece is created and produced with a long-term collector in mind. Whether you're purchasing an original or a reproduction, I ensure that all materials meet archival standards, so your investment will stand the test of time. My reproductions are produced to meet giclée-quality standards for exceptional fidelity and durability.
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The following works are in order of date the narration takes place, starting after the current painting.