forest Artwork

February 26, 2025

February 26th, 2020. The snowfall to me is such a funny thing. Its tranquility is something I’ve grown to love. In adolescence, it became my medium for meditation. To escape the busyness of the world with the flutter of falling flakes. Yet, I’ve realized it’s what’s responsible for troubling my heart. I lost the love of my life only due to the icy weather. With the snow, only did that violent cluster of twisted automobile came into existence. Many years later, waiting for snowfall for my last moments became an obsession. I found a place to spectate that last snowfall, where water falls in the forest to carve stone. As I lean against an old maple’s trunk, I lay watching guard of a stone grotto temple at the base of the falling stream. This temple has no worshipers but only prayers from the whistling branches. There is a sacredness I find in this place’s beauty. A sacredness I myself no longer share. The lone guard of this temple has grown old and tired. Complacent with the agonies of life. The frozen flakes drift down to smother most sounds. Blanketing me with its comfort. The wind kisses my neck, running it’s chilling fingers down my spine. My dulled and greyed eyes grow heavy. From the little light left from the winter night sky, glistens the landscape to reveal a faint figure in the dark’s thickness. It’s my love greeting me to a long-awaited reunion. Reaching her hands out for mine, closer and closer as her figure enclosed in on my restful state. Until her spirit wraps around me. Her warm embrace only cools. First my skin, then the fibers of my being. Now finally the cold creeping into my slowing heart.

January 24, 2025

Just Out Of Reach is a watercolor painting beautifully capturing the essence of a peaceful winter night. At its heart is a quaint log cabin, softly illuminated by a warm, golden light emanating from its windows, contrasting against the cool blues and whites of the snowy landscape. Towering evergreen trees, heavily dusted with snow, create a dense and textured forest backdrop, adding depth and a sense of quiet isolation to the scene. The faint tracks in the snow leading to the cabin hint at human presence, while the figure kneeling in the foreground adds a touch of mystery and humanity. The overall composition blends warmth and cold, light and shadow, evoking both the stillness of winter and the comfort of a welcoming home.

March 23, 2024

Gehen Heim is a watercolor painting that depicts a somber, expansive landscape under a heavy, overcast sky. The sky is a tapestry of grays and muted blues, seemingly thick with the weight of a passing snow storm. The horizon is a dark, solid band, suggesting a distant forest or line of trees that separates the sky from the land. Below, there’s a vast expanse of a body of frozen water, its surface rendered in pale whites and light grays that capture the reflective quality of the ice. A solitary figure stands in the lower third of the composition, adding a poignant note of isolation or introspection to the scene. The figure’s presence is dwarfed by the enormity of the surroundings, emphasizing the scale and of the emotional theme of man versus nature or solitude. To the right, there appears to be a long, narrow structure, a pier or boardwalk, leading off into the distance, its purpose and destination left ambiguous. The use of watercolor is masterful, with the fluidity of the medium perfectly suited to convey the atmosphere and mood of the scene. The textures are soft and the edges blurred, contributing to the overall ethereal and introspective quality of the painting.

March 13, 2024

In the midst of a serene, snow-covered landscape, a solitary figure captures our attention in this evocative painting, titled Back To. Striding the lone figure once again, across the snow covered Ohio and Erie Canal Towpath Trail.