snow Artwork

January 24, 2025

Just Out Of Reach is a watercolor painting beautifully capturing the essence of a peaceful winter night. At its heart is a quaint log cabin, softly illuminated by a warm, golden light emanating from its windows, contrasting against the cool blues and whites of the snowy landscape. Towering evergreen trees, heavily dusted with snow, create a dense and textured forest backdrop, adding depth and a sense of quiet isolation to the scene. The faint tracks in the snow leading to the cabin hint at human presence, while the figure kneeling in the foreground adds a touch of mystery and humanity. The overall composition blends warmth and cold, light and shadow, evoking both the stillness of winter and the comfort of a welcoming home.

January 6, 2025

A faux Stargazer lily decorated the shelves at the bar where we met, and you noted its identity and your fixation; in the aspirations of our conversations. When you brought me home, Easter lilies were decorated throughout your bedroom, complimenting the white orchid that was center stage of the contemporary decor. In one of my first attempts of affection for you, I transplanted Tawny Daylilies from the wilds of the valley where I grew up into the suburban yard that welcomed you each weekend. In front of one of Monet’s works of water lilies, we first exchanged the words “I love you” with one another. You wanted Royal Lilies to partner the echos of violins at our future wedding. There was a twinkle in your eye discussing your desire to visit a vast field of Avalanche Lilies in the mountains. It was Madonna Lilies I placed on the mound of your grave. The repeated significance of the flowers is why they were symbolically hosted in my home in troves for so long, and why a single white one was left to the lost soul that ignited my ambition to face my loss; in a sign of both of our gratitude and valedictions. I’ve hiked and traveled the world for you; to honor both of us. Nothing has tugged more at my heartstrings than as much as this mountainous view. So… Will you sit with me, with this spectacular sun setting view? One last time. I painted these flowers for you, my dear.

October 29, 2024

Fruitcake Delivery is just in time for the upcoming holidays, this quaint winter scene showcases a Fruitcake delivery truck and it’s driver preparing to drop off it’s abundant order of 30 fruitcakes to the anxiously awaiting recipient in the blue snow covered house. A wasteful purchase that would later go on to be donated to the local food bank, with an absurd and humorous smile. The package handler’s confident movements inferring that him and homeowner inside are intertwined in scandalous love affair. The glow of light from the windows adds to the charm of the painting. The neighbor’s house seems set in but yet still glowing with life. As is with the main focus of the blue house with white trim, with it’s windows inviting a sense of warmness away from the cold wind. The calmness of the winter night should be heard in mind. It’s left up to the viewer to form their own opinions of what the delivery figure may be thinking or what will transpire when the door bell rings.

May 14, 2024

Blue Jay depicts a blue jay perched on a snowy surface, delicately pecking at a cluster of red berries on a nearby branch. The bird’s vivid blue plumage, accented with black and white markings, contrasts beautifully with the soft, white snow. I captured the texture of the bird’s feathers and the intricate details of the berries and branches. The overall scene exudes a serene winter atmosphere, with the red berries adding a touch of color and life to the otherwise muted background.

March 23, 2024

Gehen Heim is a watercolor painting that depicts a somber, expansive landscape under a heavy, overcast sky. The sky is a tapestry of grays and muted blues, seemingly thick with the weight of a passing snow storm. The horizon is a dark, solid band, suggesting a distant forest or line of trees that separates the sky from the land. Below, there’s a vast expanse of a body of frozen water, its surface rendered in pale whites and light grays that capture the reflective quality of the ice. A solitary figure stands in the lower third of the composition, adding a poignant note of isolation or introspection to the scene. The figure’s presence is dwarfed by the enormity of the surroundings, emphasizing the scale and of the emotional theme of man versus nature or solitude. To the right, there appears to be a long, narrow structure, a pier or boardwalk, leading off into the distance, its purpose and destination left ambiguous. The use of watercolor is masterful, with the fluidity of the medium perfectly suited to convey the atmosphere and mood of the scene. The textures are soft and the edges blurred, contributing to the overall ethereal and introspective quality of the painting.

March 13, 2024

In the midst of a serene, snow-covered landscape, a solitary figure captures our attention in this evocative painting, titled Back To. Striding the lone figure once again, across the snow covered Ohio and Erie Canal Towpath Trail.

February 9, 2024

Escape is a painting that depicts a tranquil winter scene, including a solitary figure is shown walking away from the viewer, journeying along a curved path that has been carved through the snow from what may have been a vehicle. With overcast skies, soft grays and cobalts that blend seamlessly with the snowy ground, tire tracks that are visible in the snow, all reinforcing the sense that the figure has journeyed alone. The overall mood of this watercolor painting is one of solitude and silence, evoking a sense of introspection or the quiet beauty of nature in winter.

January 25, 2024

Northern Cardinal is a colored pencil drawing of a Northern Cardinal perched on a branch. The bird is depicted with a vibrant red plumage, which is characteristic of the male of the species. Its beak is orange-yellow, and the facial mask is black, extending from the beak around the eyes. The drawing captures the distinct crest of the cardinal, which is a pointy tuft of feathers on top of its head. The branch is rendered with a muted gray tone, contrasting with the bright red of the bird. The background is a soft, textured gray, allowing the cardinal to stand out prominently. The pencil strokes have created a sense of softness and detail, particularly in the feathers and the blending of colors.