warm Artwork

February 23, 2025

For 15 years, I built a career in software engineering. Working my way up the white-collar ladder. At the height of my career, working up to the Director or Executive level. At times, running my own businesses. My same-aged friends coined the nickname “Young Money” for me, which I was never big on being titled. Sooner or later, I believe all of us working in an office setting eventually reflect and ask ourselves, “What am I doing?” Questioning if what we’re doing is even meaningful. Maybe longing for the outdoors and venturing into the rest of the world beyond the concrete highrise walls in that corporate park. This painting is meant to exemplify that moment of reflection.

February 2, 2025

A few years ago I had accomplished a dream of mine and won my way with my beloved team to the United States Tennis Association National Championships. I had spent many years prior, captaining and building teams just to fall short of winning districts each year. Finally winning our season, sectionals, districts, state, and then winning the Midwest championship; we finally did it. This painting isn’t about the feeling of defeat on the court, as that’s always a chance to improve and grow. I didn’t lose in that aspect, because I was nearly undefeated that year and was almost a guaranteed win on doubles. This painting represents the agony, disappointment, disgust, and deceit, I felt when I learned I could not go to play alongside my friends in the championship in Scottsdale Arizona. I had let my team down and missed out on a once in a lifetime accomplishment.

January 6, 2025

A faux Stargazer lily decorated the shelves at the bar where we met, and you noted its identity and your fixation; in the aspirations of our conversations. When you brought me home, Easter lilies were decorated throughout your bedroom, complimenting the white orchid that was center stage of the contemporary decor. In one of my first attempts of affection for you, I transplanted Tawny Daylilies from the wilds of the valley where I grew up into the suburban yard that welcomed you each weekend. In front of one of Monet’s works of water lilies, we first exchanged the words “I love you” with one another. You wanted Royal Lilies to partner the echos of violins at our future wedding. There was a twinkle in your eye discussing your desire to visit a vast field of Avalanche Lilies in the mountains. It was Madonna Lilies I placed on the mound of your grave. The repeated significance of the flowers is why they were symbolically hosted in my home in troves for so long, and why a single white one was left to the lost soul that ignited my ambition to face my loss; in a sign of both of our gratitude and valedictions. I’ve hiked and traveled the world for you; to honor both of us. Nothing has tugged more at my heartstrings than as much as this mountainous view. So… Will you sit with me, with this spectacular sun setting view? One last time. I painted these flowers for you, my dear.

August 29, 2024

Hallelujah captures a profound and intimate moment between two figures, a woman and a man, bathed in muted, melancholic tones. The woman, with a look of quiet concentration, gently holds the man’s head as she carefully cuts his hair. The tenderness in her touch contrasts with the rough, darkened surroundings, suggesting a setting filled with history and emotional weight. The man, seated with his back to the viewer, seems resigned, his body language conveying a sense of vulnerability. Likely his pose shows signs of trauma. His unruly hair and the scattered clippings on his shoulders evoke a passage of time and perhaps a long period of neglect or hardship.

August 14, 2024

This evocative watercolor painting features a single red rose, captured in a moment of quiet beauty as it stands against a dark, rain-soaked background. The petals, rendered with delicate brushstrokes, are adorned with glistening raindrops that reflect light, adding a touch of realism and tenderness to the scene. The contrast between the vibrant red of the rose and the deep, almost black, background highlights the flower’s resilience and elegance, making it a powerful symbol of love and endurance. The soft, muted colors of the stem and leaves further enhance the focus on the rose, making this painting a striking piece that conveys emotion and depth.

July 9, 2024

Irish Coast is a oil pastel artwork of a beautiful landscape somewhere off an Ireland coastline. Featuring a wave crashing against two standing rocks, finally kissing a pebbled beach. The sky is mostly clear except a few faint clouds, bright and cool feeling. As you can almost feel the nice cool wind blown against your face, to balance out the warmth of the sun as it hits you and the rolling green cliffs standing against the sea.

July 3, 2024

Tiny Football was another quick artwork done on a tiny canvas. A tribute to one of Canton’s large driving parts of their economy, American Football. Since our city hosts the Pro Football Hall of Fame, which is the biggest reason for tourism and festivals in our tiny city, I figured it was a good idea to have this sitting out on my studio space as a pick-me-up. Sports!

June 26, 2024

This painting has everything you need. Cute cats, funny hats, and a dark sense of morbid humor. It features my long haired domestic black and white cat, Princess. Stuck in a scene of her by my side as I paint. Adorning my Faber-Castell Collapsable Water Cup on her head. Her favorite Penn tennis ball resting not far away. Peering on to the cold press cotton paper watercolor block, that is painted with my late dog, Izzy, along with family. I know deep down Princess shares in my miss of Izzy. The stick figures childishly painted on the exposed cotton paper, integrated in a method of inception in to the painting. Adding to the silliness and partly dry humor.

May 30, 2024

Creepy Clown was a quick artwork done on a tiny canvas, that I did for some stranger, who had an appreciation for creepy clowns and serial killers. Red flags much? While I don’t share those interests, I did my best to try to convey that sense allure on this 4x4in square, making quick work of it. The design was heavily inspired by the first IT Movie’s antagonist clown character. The yellow tinted smiling teeth were captured well, wrapping around the edge of the canvas.

May 26, 2024

Pomona’s Bowl is my practiced attempt to finalize my technique, using abstract vibrant brushwork, to create my own desired style in the realism oil painting realm. With every still life, I use it methodically to refine how I want to improve or change my artwork. This still life opulence in a bowl to me is the overwhelming first step to finally realize my artistic painting style that I want to utilize in the direction of how I want my landscape and narrative pieces to convey from here on out. It is an accomplishment in my own eyes, and what I consider the turning stone to take my work to the next level. Featuring a pomegranate fruit resting in a reflective metal bowl. Split open with it’s glossy seeds spilling out. The red velvet table cloth drapes the cold black table, sitting along in the light of the room. The vibrancy of the hues of red, violet, blue, yellows, purple, pink, and peach; blend together to construct this oil painting that seems reminiscent of scene from the old masters. Looking closely, you can see each section of abstract artwork, slathered on by the soft bristles of my brush to construct something beautifully grand as you step back to take it all in at once.

April 26, 2024

The Massillon 52 is a vibrant watercolor painting, showcasing two Massillon Football players. Both in a moment of intense celebration. On the left, player 52 is rendered with a fierce expression. To the right, an unknown teammate engages in clapping, hands blurred to add to the effect. Behind them, the stadium is alive with spectators in the stands, out of focus. Backset all to autumn trees and vibrant green turf. I managed to infuse the scene with movement and excitement, creating a palpable sense of the game’s high stakes and the players’ raw emotion.

March 23, 2024

Gehen Heim is a watercolor painting that depicts a somber, expansive landscape under a heavy, overcast sky. The sky is a tapestry of grays and muted blues, seemingly thick with the weight of a passing snow storm. The horizon is a dark, solid band, suggesting a distant forest or line of trees that separates the sky from the land. Below, there’s a vast expanse of a body of frozen water, its surface rendered in pale whites and light grays that capture the reflective quality of the ice. A solitary figure stands in the lower third of the composition, adding a poignant note of isolation or introspection to the scene. The figure’s presence is dwarfed by the enormity of the surroundings, emphasizing the scale and of the emotional theme of man versus nature or solitude. To the right, there appears to be a long, narrow structure, a pier or boardwalk, leading off into the distance, its purpose and destination left ambiguous. The use of watercolor is masterful, with the fluidity of the medium perfectly suited to convey the atmosphere and mood of the scene. The textures are soft and the edges blurred, contributing to the overall ethereal and introspective quality of the painting.

March 17, 2024

The Cherry Popping painting depicts two cherries with a realistic appearance. The cherries are rich red with subtle hints of darker tones suggesting volume and curvature. A light source is shining from the upper left, casting a soft shadow to the lower right of the cherries and giving a glossy highlight on their surfaces. The cherries are attached to each other by a green stem, which is connected to only one of the cherries at the top right corner of the painting. The background is plain and light-colored, putting the full focus on the vibrancy and detail of the cherries. The technique used provides a sense of texture that one can almost feel, and the attention to detail in the reflections and shadows is a careful study of light on the fruit’s surface.

February 27, 2024

The Fissure abstract watercolor painting presents a compelling visual metaphor for a broad crack, rendered in a monochromatic palette that evokes the natural variance of earth and stone. The central darkened swath divides the canvas, reminiscent of a chasm or fault line, with its mirror image below suggesting a reflection in water or a shadowy echo in the depths. The textural gradation and the fluidity of the medium’s application enhance the sense of organic formation and erosion. Despite the simplicity of its color scheme, the painting is rich in texture and depth, conveying a powerful sense of both fragility and enduring natural forces at play. The artwork engages the viewer in an exploration of symmetry and asymmetry, surface and depth, solidity and void, evoking the unpredictable beauty of natural fissures.

February 18, 2024

This evocative painting captures a unique and striking rock formation located along the shores of Lake Erie, near Cleveland, Ohio, portraying a natural monument that stands as a silent guardian amidst the lapping waves. The overcast sky suggests a typical Great Lakes ambiance, while the resilient trees on the rock’s summit are a testament to nature’s adaptability in the face of the elements. The artwork invites contemplation on the enduring beauty of Lake Erie’s coastal landscape, subtly colored by the artist to reflect the area’s serene yet dynamic character.

February 10, 2024

This Young Farmhouse painting portrays a rustic, rural scene. Dominating the left foreground is a large, dark brown walnut tree, its detailed bark texture suggesting an old and sturdy presence. From one of its branches, a swing with a wooden seat dangles, its ropes hanging limply, waiting for a visitor and adding balance to the painting. Further back, the scene opens to a golden field, which could be a harvested crop, bordered by a dense tree line that marks the edge of a forest. The trees are evergreens, standing tall and dark green against the horizon.

February 6, 2024

The Citrus Study painting features a still life composition with three objects that appear on a table. On the left is a green lime, partially blending from green to a yellowish hue, indicating ripeness or a variation in color typical of certain lime varieties. In the middle, there’s a red mug or cup with a visible handle on the right, suggesting it’s meant for a right-handed person to pick up easily. The mug’s rim is white, indicating the inside color and the reflection of light. On the right, there’s a lemon with a bright yellow color, indicative of its ripeness and tartness. The background and surface are in muted dark tones, with the surface reflecting a bit of light, giving a sense of a shadowed room. The painting style is textured, with visible brushstrokes marks, which give it a tactile quality. The color palette is quite naturalistic, with a strong contrast between the brightly colored objects and the dark background, drawing attention to the subjects of the still life.

January 25, 2024

Northern Cardinal is a colored pencil drawing of a Northern Cardinal perched on a branch. The bird is depicted with a vibrant red plumage, which is characteristic of the male of the species. Its beak is orange-yellow, and the facial mask is black, extending from the beak around the eyes. The drawing captures the distinct crest of the cardinal, which is a pointy tuft of feathers on top of its head. The branch is rendered with a muted gray tone, contrasting with the bright red of the bird. The background is a soft, textured gray, allowing the cardinal to stand out prominently. The pencil strokes have created a sense of softness and detail, particularly in the feathers and the blending of colors.

January 20, 2024

The painting titled “Ms. Cezanne” features a woman reclined in a state of repose, stretching her arms above her head. Inspired by Paul Cezanne’s work. Rendered with loose, expressive pastel stroke, suggestive of an interest in capturing movement and form rather than strict realism. The color palette is rich and warm. With earthy tones of brown and ochre for the background and vibrant yellow and green highlighting what appears to be a natural setting. The woman’s skin is painted in naturalistic tones, with highlights and shadows adding to the three-dimensional effect. Using bold outlines in places to define the figure’s form. With an impressionistic feel, focusing on light and color to convey a mood rather than detailed precision. This painting exudes a sense of relaxation and connection with nature.

December 15, 2023

Empty Models is a still life painting featuring a collection of objects arranged on a surface. The composition includes two bottles, one with a dark red cap and the other in green, along with a green jug and a brown bowl. The bottles and jug have a reflective quality suggested by the use of light and dark tones, indicating the presence of light from a specific angle. In it, I employed a textural technique to give the objects a tactile feel. The background and surface on which the items rest are rendered with broad strokes of brown and white, creating a rustic ambiance that complements the simple, everyday nature of the subjects. The color palette is predominantly earthy, with variations of green, brown, and yellow hues, giving the painting a warm and cozy atmosphere. The artwork captures the simple beauty of the objects and the play of light and shadow on their surfaces, including the light cast through their glass.